| Sarah Deere-Jones |
| & Phil Williams, with Steve Potter |
Buy this album now CD: £10.00 + p&p |
| 1 | Timing Her | 4:28 |
| 2 | Harvest Moon, The Maypole, Lingmell Reel, Esme's jig | 7:58 |
| 3 | Just as the tide was flowing | 5:03 |
| 4 | Dozmary, Roughtor Reel, Logan Stone | 6:52 |
| 5 | Her Immortality | 5:19 |
| 6 | Major O’Malleys Reel, Waterloo Dance, Enrico | 4:49 |
| 7 | The Fading Rose | 2:19 |
| 8 | The Dark eyed gentleman | 4:37 |
| 9 | Nightingale Sings | 4:09 |
| 10 | ‘The Leaving’ Lament | 3:40 |
| 11 | Cuckoo’s nest, New rigged ship, Drops of Brandy, The Grenadiers, The grey mare. | 7:30 |
| 12 | The End of the Episode | 3:18 |
Total Time |
1:00:08 |
|
Notes
Timing Her (Hardy)
(music Deere-Jones)
In Hardy’s own words ‘written to an old folk tune’ but
the tune he may have had in mind is unknown. We have entwined the
traditional tune ‘The Trees they do grow high’ into Sarah’s
main melody on fiddle.
Harvest Moon /The Maypole / Lingmell Reel / Esme’s
jig (Deere-Jones/Trad)
Sarah’s original music is played on the harp while the concertina
and fiddle play the traditional tunes in italics above.
Just as the tide was flowing (Trad)
Our own arrangement of the Dorset version of this famous traditional
song
Dozmary/Roughtor Reel/Logan Stone (Deere-Jones)
Original pieces for harp inspired by the unique landscape of Bodmin
Moor
Her Immortality (Hardy
- abridged) (music Deere-Jones)
The conversation between a man and his dead lover is a familiar theme
in folk song. A variation on the traditional tune Dives and Lazarus
is played on fiddle.
Major
O’Malleys Reel/Waterloo
Dance/Enrico (Trad)
Three traditional tunes that appear in the Hardy families’ own
notebooks, given a slightly ‘trad jazz’ treatment!
The Fading Rose (Hardy) (music Deere-Jones)
The flower theme and slightly macabre subject is again reminiscent
of English folksong.
The Dark eyed gentleman (Hardy)
(music Deere-Jones)
With its strong rhythm and song-like metre, its difficult to believe
Hardy was not thinking of a song when he wrote this. Starting and
ending with the traditional tune ‘Sweet Jenny Jones’ on
fiddle, we also play the tunes ‘Spanish Cloak’ and ‘Light
o’love’ on concertina and fiddle in between verses.
Nightingale Sings (Trad)
Another beautiflul traditional song from Dorset, the first verse
was used in the famous 1960’s film version of ‘Far
from the Madding Crowd’.
‘The Leaving’ Lament (Deere-Jones)
From the Highlands of Scotland down to the southem counties of England
the poor were foreed to leave their native land en masse in the
19th century. Inspired by a photograph of West Country migrants
waiting to leave at Plymouth Dock in 1870.
Cuckoo’s
nest/New rigged ship/Drops of Brandy/The Grenadiers/The grey
mare.
Some well known traditional tunes, finishing off with Sarah’s
own ‘Grey Mare’- also the name of a stone cirele on Tenants
Hill, Dorset.
The End of the Episode (Hardy)
(music Deere-Jones)
A beautiful and asd poem, ‘dumbles’ is short for ‘dumbledore’ sword
Hardy used for ‘Bumble bees’.
Credits
All music except traditional tunes written by Sarah Deere-Jones, copyright protected by MCPS. Recorded and engineered at the Cornwall Harp Centre by Robert Harbron. Thanks to Steve Potter. Susan Bell MA., The Thomas Hardy Society.
Sarah plays a Salvi Egan lever harp and a Wheatstone duet concertina, Phil a Fylde English Cittern, Dickinson Anglo concertina, and Evans smallpipes.
Cover photos - Views and features around Trehawsa.
www.trehawsa.com www.cornwallharpcentre.co.uk
| Instruments: | Harp, Voice, Cittern & Violin |
| Genre: | Traditional English Acoustic |
| Format: | CD |
| Our Ref: | A0115 |
| MCPS: | FPCD007 |
| Label: | Cornwall Harp Centre |
| Year: | 2006 |
| Origin: | UK |
| Sarah Deere-Jones (harpist) | |
Sarah has always loved and played traditional music, despite her classical harp teachers not being very encouraging in the early days! (thats an understatement!). Her first recording Harpsong was a collection of Irish songs and instrumentals where she played her replica Mullagh Mast harp, a rare wire-strung instrument. Later she recorded the music of her home county of Dorset with traditional songs in a CD called " Scenes and Dreams" which included her playing concertina and flute.She recently recorded 'Timing Her' a collection of traditional English acoustic music with her own folk song settings of some of the poems by Thomas Hardy.
In 1997 Sarah began to explore the medieval music repertoire with a view to arranging some songs and instrumentals with her husband Phil, who had since become obsessed by medieval bagpipes, like you do. This lead to them discovering other instruments such as the Hurdy Gurdy, bowed psaltery and hammered dulcimer, purchasing a reproduction medieval pavillion tent, and spending their summers travelling around the historic sites of the National Trust and English Heritage. It has now got completely out of hand, and their duo Lammas (see seperate website www.trehawsa.com) now has over 30 instruments and a trailer load of equipment used in re-enacting!
Sarah has always enjoyed teaching, some of her pupils have gone on to become professionals themselves and she has taught age ranges from 6 to 76! She is fascinated by psychology and the learning process and believes that it is as much about confidence and self belief than about playing the instrument itself. As someone who sufferred dreadfully from nerves and self doubt as a student, she is well placed to understand the problems of nervous learners. In 2003 inspired by her move to north Cornwall, Sarah started to set some of the poems by Thomas Hardy to music as 'folk songs' with harp accompaniament. Phil joined her with the cittern, and also on instrumental arrangements with smallpipes and concertina. Sarah went back to the concertina too, this time the Duet concertina with which she accompanies herself singing. The resultant concert and CD 'Timing her' was received with acclaim by the Thomas Hardy society, to Sarah's great relief! |
|
| Contact Details (UK) | Cornwall Harp Centre |
| info@cornwallharpcentre.co.uk | |
| Booking/Teaching | See artistsl web sites detailed below |
| Artist Web Sites | www.treawsa.com www.cornwallharpcentre.co.uk |