CD: Timing Her

Sarah Deere-Jones
& Phil Williams, with Steve Potter

Timing Her by Sarah Deere-Jones & Phil Williams, with Steve PotterEnglish acoustic music at its best featuring Sarah Deere-Jones on harp, Phil Williams on Cittern and smallpipes with Steve Potter on violin. A collection of dazzling instrumentals, lively dance tunes and Sarah's new 'folksong' settings of some of the poems by Thomas Hardy. 'Hauntingly beautiful' - Hardy Society

Buy this album now CD: £10.00 + p&p

Audio Samples

Track Listing

1 Timing Her
4:28
2 Harvest Moon, The Maypole, Lingmell Reel, Esme's jig
7:58
3 Just as the tide was flowing
5:03
4 Dozmary, Roughtor Reel, Logan Stone
6:52
5 Her Immortality
5:19
6 Major O’Malleys Reel, Waterloo Dance, Enrico
4:49
7 The Fading Rose
2:19
8 The Dark eyed gentleman
4:37
9 Nightingale Sings
4:09
10 ‘The Leaving’ Lament
3:40
11 Cuckoo’s nest, New rigged ship, Drops of Brandy, The Grenadiers, The grey mare.
7:30
12 The End of the Episode
3:18
Total Time
1:00:08

CD Notes & Credits

Notes

Timing Her (Hardy) (music Deere-Jones)
In Hardy’s own words ‘written to an old folk tune’ but the tune he may have had in mind is unknown. We have entwined the traditional tune ‘The Trees they do grow high’ into Sarah’s main melody on fiddle.

Harvest Moon /The Maypole / Lingmell Reel / Esme’s jig (Deere-Jones/Trad)
Sarah’s original music is played on the harp while the concertina and fiddle play the traditional tunes in italics above.

Just as the tide was flowing (Trad)
Our own arrangement of the Dorset version of this famous traditional song

Dozmary/Roughtor Reel/Logan Stone (Deere-Jones)
Original pieces for harp inspired by the unique landscape of Bodmin Moor

Her Immortality (Hardy - abridged) (music Deere-Jones)
The conversation between a man and his dead lover is a familiar theme in folk song. A variation on the traditional tune Dives and Lazarus is played on fiddle.

Major O’Malleys Reel/Waterloo Dance/Enrico (Trad)
Three traditional tunes that appear in the Hardy families’ own notebooks, given a slightly ‘trad jazz’ treatment!

The Fading Rose (Hardy) (music Deere-Jones)
The flower theme and slightly macabre subject is again reminiscent of English folksong.

The Dark eyed gentleman (Hardy) (music Deere-Jones)
With its strong rhythm and song-like metre, its difficult to believe Hardy was not thinking of a song when he wrote this. Starting and ending with the traditional tune ‘Sweet Jenny Jones’ on fiddle, we also play the tunes ‘Spanish Cloak’ and ‘Light o’love’ on concertina and fiddle in between verses.

Nightingale Sings (Trad)
Another beautiflul traditional song from Dorset, the first verse was used in the famous 1960’s film version of ‘Far from the Madding Crowd’.

‘The Leaving’ Lament (Deere-Jones)
From the Highlands of Scotland down to the southem counties of England the poor were foreed to leave their native land en masse in the 19th century. Inspired by a photograph of West Country migrants waiting to leave at Plymouth Dock in 1870.

Cuckoo’s nest/New rigged ship/Drops of Brandy/The Grenadiers/The grey mare.
Some well known traditional tunes, finishing off with Sarah’s own ‘Grey Mare’- also the name of a stone cirele on Tenants Hill, Dorset.

The End of the Episode (Hardy) (music Deere-Jones)
A beautiful and asd poem, ‘dumbles’ is short for ‘dumbledore’ sword Hardy used for ‘Bumble bees’.

Credits

All music except traditional tunes written by Sarah Deere-Jones, copyright protected by MCPS. Recorded and engineered at the Cornwall Harp Centre by Robert Harbron. Thanks to Steve Potter. Susan Bell MA., The Thomas Hardy Society.

Sarah plays a Salvi Egan lever harp and a Wheatstone duet concertina, Phil a Fylde English Cittern, Dickinson Anglo concertina, and Evans smallpipes.

Cover photos - Views and features around Trehawsa.
www.trehawsa.com www.cornwallharpcentre.co.uk

Album Information

Instruments: Harp, Voice, Cittern & Violin
Genre: Traditional English Acoustic
Format: CD
Our Ref: A0115
MCPS: FPCD007
Label: Cornwall Harp Centre
Year: 2006
Origin: UK

Artist Information

Sarah Deere-Jones (harpist)

Sarah Deer-JonesSarah Deere-Jones is a classically trained harpist with a variety of musical experience and interests. Whilst still performing on concert harp, she has in recent years been concentrating on traditional music, playing Celtic, English and her own compositions for gut strung and wire strung Celtic harps. She also is active in medieval music, playing with the duo 'Lammas' who perform concerts and at historic sites all over the UK. Sarah started her professional life after leaving the Royal Academy of music where she was a prize winner, and played with orchestras such as the Bournemouth symphony, BBC symphony, Tenerife Symphony, Ulster orchestra as well as theatre orchestras such as Festival Ballet, Ballet Rambert, Bolshoi ballet and the English music theatre orchestra at the Aldeburgh festival. She also performed solo recitals at arts clubs across the UK, and on television and radio.

Sarah has always loved and played traditional music, despite her classical harp teachers not being very encouraging in the early days! (thats an understatement!). Her first recording Harpsong was a collection of Irish songs and instrumentals where she played her replica Mullagh Mast harp, a rare wire-strung instrument. Later she recorded the music of her home county of Dorset with traditional songs in a CD called " Scenes and Dreams" which included her playing concertina and flute.She recently recorded 'Timing Her' a collection of traditional English acoustic music with her own folk song settings of some of the poems by Thomas Hardy.


Sarah Deere-JonesSarah never missed an opportunity to go travelling in her career! So after playing in some of the major hotels and clubs across London, she worked in the middle east for around 6 months. This lead to her being invited to play on board the QE2, at the the time the world's biggest ocean liner, and travelled around the world three times playing for the passengers, giving recitals and even having some pupils!

In 1997 Sarah began to explore the medieval music repertoire with a view to arranging some songs and instrumentals with her husband Phil, who had since become obsessed by medieval bagpipes, like you do. This lead to them discovering other instruments such as the Hurdy Gurdy, bowed psaltery and hammered dulcimer, purchasing a reproduction medieval pavillion tent, and spending their summers travelling around the historic sites of the National Trust and English Heritage. It has now got completely out of hand, and their duo Lammas (see seperate website www.trehawsa.com) now has over 30 instruments and a trailer load of equipment used in re-enacting!

Sarah Deere-JonesLike many other harpists Sarah plays occassionally at weddings and the harp is a popular choice of music with its soothing sound and romantic symbolism. Sarah can arrange all kinds of music for ceremonies (sometimes even some completely unsuitable for the harp!!!) For more details on sarah's wedding repertoire visit www.trehawsa.com

Sarah has always enjoyed teaching, some of her pupils have gone on to become professionals themselves and she has taught age ranges from 6 to 76! She is fascinated by psychology and the learning process and believes that it is as much about confidence and self belief than about playing the instrument itself. As someone who sufferred dreadfully from nerves and self doubt as a student, she is well placed to understand the problems of nervous learners.

In 2003 inspired by her move to north Cornwall, Sarah started to set some of the poems by Thomas Hardy to music as 'folk songs' with harp accompaniament. Phil joined her with the cittern, and also on instrumental arrangements with smallpipes and concertina. Sarah went back to the concertina too, this time the Duet concertina with which she accompanies herself singing. The resultant concert and CD 'Timing her' was received with acclaim by the Thomas Hardy society, to Sarah's great relief!

Contact Details (UK)
Cornwall Harp Centre
E-mail info@cornwallharpcentre.co.uk
Booking/Teaching See artistsl web sites detailed below
Artist Web Sites   www.treawsa.com
www.cornwallharpcentre.co.uk

Other Recordings By Sarah Deere-Jones

Other Recordings from Sarah Deere-Jones

Album Soirbheas by Sarah Deere-Jones